You're left with the impression she's doing it for the music and because it sounds good, not to shift units of her own music – which is how it should be. Ellen only includes one of her own offerings, 'Just a Woman', wedging it between Thom Yorke's 'Harrowdown Hill' and Ben Klock's 'Journey' - not exactly an obvious trio. One thing that's always interesting on mixes is how many of their own tracks an artist puts on them. Electronic music doesn't get much dreamier than Apparat so it's fitting the mix ends with one of his tracks, 'Arcadia', from his new album 'Walls'. But bearing in mind his technical ability, trust me when I say that he makes what appears to be a xylophone being played in water over a skippy beat work well. For Alter Ego fans (of which Flugel is one half) this won't be what you'd expect. The monged out middle comes with Roman Flugel's 'Mutter'. 'It is Now Either' by Artificial Latvamaki could have come straight off 'Orchestra of Bubbles' and, in the absence of any new OoB material, it makes a very welcome stopgap. The brilliant 'Orderly Kaos' by Don Williams then continues to build things thanks to a lush delayed organ refrain and infectious dubbed out nineties house beats. The opening of ‘S1’ (Don't believe the chord-pop hype) by Schubert brings things in perfectly with its haphazard crescendo of clicks which last more than three minutes before finally giving way to a beat. The general trajectory of the mix is more upbeat at the start with a monged out middle and dreamy end. Thankfully, she's managed to maintain the same aural aesthetic on this excellent mix for Fabric, and has produced one of the best in the series.

Be it fragmented and delicate vocals on her album ‘Berlinette’, or the fusion of rough beats and Apparat's strings on last year's awesome ‘Orchestra of Bubbles’, she has a gift for making music that not only rocks but has a unique warmness to it. Bpitch Control boss Ellen Allien has always managed to give techno a melodic, joyful and innocent feel.

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